{"product_id":"issue-four-new-copy","title":"Issue Five","description":"\u003cdiv class=\"oKdM2c ZZyype Kzv0Me\"\u003e\n\u003cdiv id=\"h.733658f0724cbb52_17\" class=\"hJDwNd-AhqUyc-c5RTEf Ft7HRd-AhqUyc-c5RTEf purZT-AhqUyc-c5RTEf ZcASvf-AhqUyc-c5RTEf pSzOP-AhqUyc-c5RTEf Ktthjf-AhqUyc-c5RTEf jXK9ad D2fZ2 zu5uec OjCsFc dmUFtb\"\u003e\n\u003cdiv class=\"jXK9ad-SmKAyb\"\u003e\n\u003cdiv class=\"tyJCtd mGzaTb Depvyb baZpAe\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"oKdM2c ZZyype Kzv0Me\"\u003e\n\u003cdiv id=\"h.733658f0724cbb52_17\" class=\"hJDwNd-AhqUyc-c5RTEf Ft7HRd-AhqUyc-c5RTEf purZT-AhqUyc-c5RTEf ZcASvf-AhqUyc-c5RTEf pSzOP-AhqUyc-c5RTEf Ktthjf-AhqUyc-c5RTEf jXK9ad D2fZ2 zu5uec OjCsFc dmUFtb\"\u003e\n\u003ch4 class=\"jXK9ad-SmKAyb\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eFALL 2026\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"oKdM2c ZZyype\"\u003e\n\u003cdiv id=\"h.733658f0724cbb52_114\" class=\"hJDwNd-AhqUyc-c5RTEf Ft7HRd-AhqUyc-c5RTEf purZT-AhqUyc-c5RTEf ZcASvf-AhqUyc-c5RTEf pSzOP-AhqUyc-c5RTEf Ktthjf-AhqUyc-c5RTEf jXK9ad D2fZ2 zu5uec\"\u003e\n\u003cdiv class=\"jXK9ad-SmKAyb\"\u003e\n\u003cdiv class=\"tyJCtd mGzaTb Depvyb baZpAe\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e- Dan Graham and Music by Bob Nickas\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003e- Harmony Holiday Interviewed by Sophie Abramowitz\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003e- Yvonne Jacquette at Karma by Albert Mobilio\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003e- Arjan Martins: Portfolio and interview\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003e- Album picks by 14 New York artists\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cstrong\u003e- Alix Cléo Roubaud at Galerie Buchholz by Asha Schechter\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003e- Poetry by Aaron Fagan\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003e- Anna Gregor at D.D.D.D. by Justin Kamp \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003e- Tim \u0026amp; Barry at Harlesden High Street by Mabel Woodley\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cdiv class=\"tyJCtd mGzaTb Depvyb baZpAe\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003cem\u003eEDITOR'S NOTE\u003c\/em\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ch4 class=\"p1\"\u003e\u003cstrong\u003e“Most music should be live and spontaneous from now on, to deter artificial intelligence and other, less salient grifts.” So writes Harmony Holiday in a recent post on her Substack, Black Music and Black Muses, describing a possible antidote to the numbing effect of the scroll, the stream, and the feed. In this issue, Holiday speaks to music writer and researcher Sophie Abramowitz about parallels between writing, dance, and live performance, while making a case for a writer’s life independent from academia and the attention economy.\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 class=\"p1\"\u003e\u003cstrong\u003eFor our feature titled “Listening In,” we’ve invited artists to share their thoughts about albums with special importance to them. When it comes to music, everyone now has an opinion, or at least a playlist to share. One artist who always had both, and before Spotify reshuffled our listening lives, was the late Dan Graham. In his contribution to this issue, Graham’s friend Bob Nickas reflects on the importance of mixtapes, playlists, and CDRs to that philosopher of both conceptual art and popular music. We also review recent exhibitions by Yvonne Jacquette, Anna Gregor, Alix Cléo Roubaud, and Tim \u0026amp; Barry. \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tyJCtd mGzaTb Depvyb baZpAe\"\u003e\n\u003ch4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cem\u003eLAUNCH\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003eWednesday, October 28, 7-9\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003eFunny Bar\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003e133 Essex Street\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003eNew York, NY 10002\u003c\/strong\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tyJCtd mGzaTb Depvyb baZpAe\"\u003e\n\u003cdiv class=\"tyJCtd mGzaTb Depvyb baZpAe\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tyJCtd mGzaTb Depvyb baZpAe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":50314262642881,"sku":"MARIssue5","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0821\/2699\/5649\/files\/cover_2e4649ab-43ad-445a-b2d6-e56083e3ea21.jpg?v=1793325256","url":"https:\/\/muttartreview.com\/products\/issue-four-new-copy","provider":"Mutt Art Review","version":"1.0","type":"link"}